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Review: The Dark Tower

August 04, 2017 1 min read

If you've read Stephen King's prolific Dark Tower saga you know it's a weird, wonderful, flawed, brilliant, mess of an epic that touches so many genres it's hard to classify it at all. It bounces from western to science fiction to fantasy to horror and so on at the author's whim, and goes from weird (sentient monorails) to weirder (Stephen King himself showing up) as it goes along.

You also know that while on the surface it appears to be a simple quest story about Roland, an Arthurian cowboy, on a quest to find the Dark Tower it is just as much about Stephen King himself, the creative process, and the nature of storytelling itself. It was written over the course of 30 years with what was clearly no plan and no direction. It is a wonderful mess, and if you haven't read it I highly encourage you to dive in.

That's all to say that adapting the story to screen is far more complex than it may sound, and studios have been trying for the last 10 years since King finished the saga. Finally, someone has gotten it done. Their solution to tackling a big, messy, interesting, unique world? Condense it down to nothing. 

Review: The Dark Tower screenshot